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Definition Of Pictograph: 'A pictograph is a representation of data using images or symbols.' Pictographs in maths are typically used in concepts like data handling. They help in laying the foundation for data interpretation based on pictorial information. This times tables chart is an ideal resource to help children learn their 1-12 times tables. It features all the times tables from 1-12 which are essential to learning Maths. Print this times table chart and stick it on your class wall or student's desks as a prompt to encourage learning through repetition. Interpret pictographs. Share to google. Share to facebook share to twitter Questions. 0 Time elapsed Time. 00: 00: 00: hr min sec. Whitney Johnson noreply@blogger.com Blogger 36 1 25 tag:blogger.com,1999:blog-739985854.post.

Petroglyphs on sandstone at Newspaper Rock in southwestern Utah. Image copyright iStockphoto / Jeremy Edwards.

Petroglyph: This petroglyph is thought to have been carved by Native Americans into the wall of Buckskin Gulch in southern Utah, USA. Image copyright iStockphoto / amygdala_imagery.

What is 'Rock Art'?

Long before writing was developed, people recorded events, ideas, plans, and feelings by marking them on a rock. Sometimes they carved into the stone. Sometimes they scratched off a surface coating. Sometimes they painted on the rocks. The method that they used was typically determined by the availability of a 'paint,' the hardness of the rocks, and the availability of tools that could be used to produce their message.

All of these markings are referred to as 'Rock Art.' People worldwide have been producing rock art for thousands of years. Some of their messages, produced thousands of years ago, can still be seen today. The oldest are usually found in rock shelters and caves where they are protected from the elements. However, in arid climates some examples of rock art have persisted for ten to fifteen thousand years, depending upon how the art was produced, the direction that it faces, and the type of rock used as a 'canvas.'

There are two basic types of rock art: petroglyphs and pictographs. A brief description of each is given below.

Petroglyphs: A large number of petroglyphs on a rock in Petrified Forest National Park, Arizona, USA. Image copyright iStockphoto / Tom Marvin.

What is a Petroglyph?

A petroglyph is an image that is carved into a rock. This 'carving' can produce a visible indentation in the rock, or it can simply be the scratching away of a weathered surface to reveal unweathered material of a different color below.

Hebrew Pictographs

Related:A Worldwide Petroglyph Photo Gallery

The bighorn sheep carved into an orange-brown sandstone, shown near the top of this page, is a petroglyph. The artist scratched the surface of the rock with a tool. This work produced an indentation in the rock and also exposed an unweathered material of lighter color below.

Pictographs Lesson

The petroglyphs on 'Newspaper Rock,' shown at the top of this page, were made by scraping away the thin black coating known as 'desert varnish' from the surface of the rock. Both types of petroglyphs are common, but the ones carved into the rock have a better chance to persist through time.

Pictographs: This pictograph is believed to represent people of the Fremont Culture who used to live in what is now south-central Utah. Image copyright iStockphoto / Andrea Gingerich.

What is a Pictograph?

A pictograph is a drawing or painting that is created on a rock. Because they are merely a surface coating, pictographs tend to be less durable than petroglyphs. The ones that survive are most often found in caves, rock shelters, and areas with dry climates.

Ancient Pictographs

Related:A Worldwide Pictograph Photo Gallery

A variety of pigments have been used to make pictographs. Examples of these pigments include pieces of charcoal from a campfire; blood from hunted or sacrificed animals; and rock or mineral materials such as chalk, limonite, or hematite.

Vandalism? An example of recent 'rock art' that might be 'vandalism' if it was not created by the property owner. Image copyright iStockphoto / Richard Clark.

Removing graffiti: A National Park Service staff member working to remove graffiti at Arches National Park. The rocks in national parks are expected to be kept in their natural condition. Painting, carving, or marking on the rocks in any way is considered vandalism. Graffiti is a serious problem at some parks. Learn more.

Who Are the Artists?

Ancient petroglyphs do not have 'signatures' because they were produced before written words were invented. So, they cannot be attributed to a specific person. However, petroglyphs can sometimes be attributed to a specific group of people who inhabited or passed through the area where the petroglyphs occur.

Shown on this page is a photo of a rock with a large number of petroglyphs in Petrified Forest National Park, Arizona, USA. The rock is in a location where it can be easily seen by anyone who passes by. The images may have been made at different times because they exhibit different degrees of weathering. Some may have been made by some of the early people to inhabit this area, others could have been made by people who passed through hundreds of years later, or they could have been made recently.

Rock art is very difficult to date. However, some experts can estimate how quickly paints fade or how much time has passed since a carving was made into a rock. These methods can be used to place an approximate date on a pictograph or a petroglyph. These tests are infrequently used because they require the work of an expert who has access to specialized equipment and methods of testing.

Graffiti: This graffiti, painted on the Berlin Wall, commemorates the first holes broken through the barrier. Image copyright iStockphoto / CrazyD.

Rock Art or Vandalism?

Ancient carvings and paintings on rocks are searched for, considered to be historical treasures, and carefully protected. Modern carvings and paintings on rocks are viewed in an entirely different light. If they are produced on government land or private property without permission, they will be considered an act of vandalism. Once defaced, the rocks can be difficult or impossible to restore to their natural condition. So, if you want to produce some 'rock art,' be sure you own the property where the rock is located and be sure that the property is not subject to regulations that would prohibit changing the appearance of the rocks!

Examples of people who got in trouble for their rock art:

Wookey Hole Caves: In 2013, a group of people broke into the Wookey Hole Caves in England to paint graffiti. [1]

Joshua Tree National Park: A street artist tagged a boulder with spray paint and then posted a photo on Instagram. [2]

Juab County, Utah: Pictographs in a Utah canyon were unwittingly defaced by geology students. [3]

Sedona Red Rocks: A celebrity on vacation in Arizona carved her and her boyfriend’s names into the red rocks of Sedona. She paid $1,000 restitution - but the fine could have been as much as $5,000 and 6 months in jail. [4]

Graffiti: In some cities graffiti artists are so active that new images are painted over old almost as soon as the paint is dry. This heavily painted wall is in an alley off Queen Street in Toronto, Canada. Image copyright iStockphoto / Maytals.

Graffiti: Modern 'Rock Art'?

Today, many people still have a desire to paint on a wall for communication and personal expression. They produce an art form known as 'graffiti' on buildings, walls, railroad cars, trucks, and any flat surface they can utilize. Although many types of graffiti are very similar to 'rock art' in format and style, producing it is usually defacement of property and vandalism.

Even though some graffiti artists have become famous for their work, they do not enjoy the same freedom of expression that was enjoyed by ancient artists!

Producing graffiti on public or private property is a crime. Some cities spend millions of dollars per year to remove graffiti. If you want to become a graffiti artist, use your own property as a 'canvas' or get permission from a property owner who will enjoy your work. Before you start painting, find out if the format of your work and the content of your message are allowed to be displayed where the building is located.

Fremont designs include both petroglyphs (patterns chipped or carved into the rock) and pictographs (patterns painted on the rock). Pictographs are relatively rare here, perhaps because they are more easily weathered. Some petroglyphs show traces of pigment, possibly indicating that many designs originally included both carved and painted areas. Many sandstone cliffs darkened with desert varnish, a naturally formed stain of iron and manganese oxides, provided an ideal canvas for carving petroglyphs. Most of these designs are outlines, but some are completely pecked to form solid figures, and a few consist of small holes in closely-spaced rows.

The style and content of Fremont designs vary throughout the region. The “Classic Vernal Style” predominates in Dinosaur National Monument. This style is characterized by humanlike figures, animal-like figures, and abstract designs. Human figures typically have trapezoidal bodies, which may or may not include arms, legs, fingers, and toes. Elaborate decorations on the bodies suggest headdresses, earrings, necklaces, shields, or other objects.

The animal figures include recognizable bighorn sheep, birds, snakes, and lizards, as well as more abstract animal-like shapes. Purely abstract or geometric designs, such as circles, spirals, and various combinations of lines, are common.

Why did the Fremont create these designs and what did they mean? Perhaps the designs served some ceremonial or religious purpose, related to hunting activities, identified clans, or simply expressed the artist’s imagination – or perhaps all or none of these. Attempts to interpret the designs by comparing them with recent Native American groups may provide clues, but the true meaning remains a mystery.

Many designs in the monument are fairly easy to access and allow up-close viewing. These designs are very fragile. Touching the petroglyphs and pictographs can damage the designs by leaving oils behind that abrade the rock. Tracing and rubbings can damage the soft sandstone designs. For these reasons, please do not touch the designs.